by vaughn skow December 29, 2014 3 min read
Hi gang! This blog marks a bit of a first, as it is the first time I am officially blogging about the pickups that bear my name! When I began making guitar pickups, I firmly believed that the best pickups ever made were in fact made from about 1952 to 1965, and my intention was to painstakingly reproduce these mid-century works of art. Where Stratocasters and Humbuckers are concerned, I was dead-on the bull’s eye. However, the Telecaster players were giving me something further to consider. The Strat players were on a magic carpet ride to Nirvana with my 1954-1964 sets, and “les Paul” players consider my Alnico II and Alnico IV PAFs to be truly “Holy Grail” tone. But those pesky Tele players. . .
When Tele players talk about “Holy Grail” tone, the usual statement made is something like this: “Well, I love the sound of a vintage 50’s Tele bridge pickup … but they CAN get a little ice-picky sometimes, and …well, I really don’t use the neck pickup much, it’s just too dead and woofy”.
Okay, y’all, think about this for a second. There are top-shelf touring Tele-masters out there gigging with vintage Telecasters worth tens of thousands of dollars saying, in essence “I’m not really in love with my tone”. Wow! That sucks, and I couldn’t help but feel as though something NEEDED to be done for these folks. Now, I could have gone the route of some, and simply thrown in the towel and conceded defeat on the neck pickup … and focused on the bridge pickup (can you say “Esquire”?). But, that would be against every bone in my body. I LIKE multi-pickup guitars for the tonal versatility they offer, and especially for the complex and uniquely gratifying tone that can only result from a fantastically combining pair of pickups! And so it was that I set out on a path that was already littered with the wreckage of past failures. Could I succeed where so many others have failed? Could a set of Tele pickups be made that truly left Tele players wanting for NOTHING? And, for the record, I strictly desired to keep to “true” Tele sets … I’m talking drop-in replacements here … not some crappily conceived humbucker or other aberration; plenty of folks have went down that road and wound up with the most God-awful sounding Tele pickups ever! My goal wasn’t to remove “hum” or to produce a pickup that looked good on an oscilloscope … no, I wanted tone to die for, true Holy-Grail tone.
I will admit that, living in Nashville, I have an advantage over many other pickup designers and builders. Here in Nashville, I have at my disposal what is probably the largest assembly of top-shelf Telecasters and the Tele-Masters who play them available anywhere in the world. And so I began quite a process of comparing everything that I tried to the “best of the best”. Guess what? It seems as though I did it. Rocket science? Nope, not at all. The recipe I landed on really isn’t that far from Leo’s first designs, in fact. Here is what I found:
So there you have it; almost all my secrets revealed. Nearly a year’s worth or R&D thrown out there for anyone to copy as they see fit. Why on earth would I divulge this? Well, Leo Fender is kinda my hero … and the man never even patented the Stratocaster or the Telecaster guitars; so, I guess you could say I’m following in Leo’s footsteps … and hopefully adding a little to his legacy.
Convinced? Be sure to check out these pickups … that we’ve named “Vaughn’s Velvet Telecaster” set.
Here is a video discussion and demo. If it doesn’t play, follow this link: http://youtu.be/oCJ9xAL2Ltg?list=UUqz2jjVBQhBK3oCSyp1UE9g
Comments will be approved before showing up.